STREETSCAPE: THE
PLAN THAT SAVED A COMMUNITY
by David Wallace
Back in 1992, a group of business people
and residents of Wilshire Center, the area surrounding
the most historic two miles of Los Angeles' famous boulevard
- Wilshire Boulevard, sat down together amid the devastation
of the L.A. riots, business flight, and the physical
upheaval of the Metro Rail subway construction, and
pledged $3000 to begin the effort to take control of
their community.
Eventually,
some $6,000,000 in federal, local and private funds
would be raised to fund the effort - called Streetscape
- the just-completed first stage in one of the most
ambitious and significant urban rehabilitation projects
found anywhere in America.
Designed to enhance the environment and lifestyle of
residents, visitors and workers in the area, Streetscape
has been an unqualified success. Said Los Angeles Mayor
Richard J. Riordan in saluting the project: "The
community has led the drive to return Wilshire Boulevard
to a place of prominence and splendor, and even more
energy, beauty and vitality than ever before."
THE GOLDEN ERA OF WILSHIRE CENTER.
If Sunset Boulevard was, in its heyday, the center of
the world's dream making, it was to that stretch of
Wilshire Boulevard between Hoover and Wilton (called
Wilshire Center since the mid-fifties), that generations
of Angelenos went to find their own dreams.
There they shopped in glittering Moderne palaces like
I. Magnin and Bullock's Wilshire (in its famous Tearoom,
they also rubbed elbows with the city's socialites,
many of whom lived in nearby Hancock Park). There they
took power lunches (long before the term was invented)
in such delightfully kitsch restaurants as the Brown
Derby or the aristocratic Perino's not far away.
They danced the night away in the Ambassador Hotel's
world-famous Cocoanut Grove or, in the 1950s, may even
have discovered the talent of the young Nat Cole in
one of the local jazz clubs. There they may have worshiped
in the gothic grandeur of the 2000-seat Immanuel Presbyterian
Church (where ushers in tailcoats escorted members to
their seats) or in the equally imposing Wilshire Boulevard
Temple.
For entertainment, one needed to go no further than
the Art-Deco Wiltern Theater (now a national landmark
and showcase for the performing arts). They may have
lived in The Talmadge, built for silent film star Norma
Talmadge by her husband, United Artists president Joseph
Schenck, or in the nearby Los Altos, where publishing
czar William Randolph Hearst ensconced his vivacious
mistress Marion Davies in a huge apartment neighboring
that of the "it" girl of the era, Clara Bow,
and, later, Judy Garland, Bette Davis and Loretta Young.
Wilshire Center was, as many called it, L.A.'s "Golden
Hub."
Then it all ended.
It took a while though; as commerce moved to the City's
less congested Westside (as well as the San Fernando
Valley), businesses and the population- at least the
affluent population-eventually followed. I. Magnin closed,
Bullocks Wilshire held out until 1993. Rental rates
in office buildings plummeted from an average of $1.65/sq.
ft. to a dollar between 1991 and 1996;
property values probably dropped from a high of $120/sq.
ft. to $30 or $40 per foot in 1998. In 1987, the Ambassador
Hotel, social linchpin of the entire city (where, once,
Errol Flynn cavorted with his girlfriends and where,
of course, Robert Kennedy was assassinated after celebrating
his win in 1968's California presidential primary) closed.
Left behind was a huge, highly visible, abandoned memorial
to what the area once was.
The L.A. riots of April, 1992 (whose fires, vandalism
and terror rolled through the area as if it were Beirut),
the seemingly endless traffic upheavals caused by the
construction of the new Los Angeles Metro Rail subway,
and 1994's massive earthquake were almost mortal blows.
Wilshire Center was becoming "a ghost town"
said Mike Davis, author of the novel "City of Quartz."
He was wrong.
THE MODEL URBAN COMMUNITY.
Throughout the bad days there were many residents as
well as local businessmen and women who believed in
Wilshire Center as a potential model "urban community."
This became particularly valid as the ethnic mix of
the area, once overwhelmingly Caucasian, changed dramatically
into what is today an exciting mix of Latin, Asian,
African-American and European cultures living together
in a 1.8 square mile area that has the highest population
density west of the Mississippi. (Especially vigorous
has been the development of the urban enclave known
as Koreatown bordering the area on the south.)
Also, after the subway (with three stations in the
area) was completed, traveling in and out of Wilshire
Center - for workers, residents, and visitors - became
a snap. One of those who continued to believe in the
area was asset manager Andrew Miliotis, today president
of the Wilshire Center Business Improvement Corporation
(WCBIC), the guiding entity in the area's rehabilitation;
another was architect Gary Russell, now executive director
of the organization. "I was in Andy's office back
in August, 1992, four months after the riots."
Russell recalls. "We looked out the window and
saw how bleak everything looked. Andy had just come
back from Santa Barbara where State Street looks so
beautiful with the flowers and trees in medians and
he made a comment about doing something like this as
a start in improving the morale of the area. I said
I thought it was possible." Russell recalls.
REDESIGNING WILSHIRE CENTER.
That Labor Day weekend, Russell measured the Boulevard
and drew a plan, complete with medians and trees, which
subsequently became the basis of a master design for
the entire, 21-block stretch of the Boulevard (including
two 30-foot gateway monuments). "Much of it,"
Russell says, "echoed the goals of a plan formulated
years earlier by the Wilshire Stakeholders Group, a
group of concerned property owners, local businesses
and residents." "With the riots only weeks
behind them and signs of devastation everywhere, safety
was the paramount concern of everyone who lived and
worked in the area," says Linda Rees, assistant
to the pastor of Immanuel Presbyterian Church and Wilshire
Chamber of Commerce board member. "Neglect adds
to concerns about safety. As important as the reality
of actually making the streets safer (among the innovations
were today's popular police and private security bike
patrols sponsored by the WCBIC, and inexpensive shuttle
buses), we had to create the perception of safety,"
Rees adds.
"Putting it bluntly." Russell explains, "Streetscape
was an elaborate marketing plan. You can't just say
'we exist' to turn around a neighborhood; you've got
to do something physical to repair the classic 'broken
window' syndrome, you've got to provide a catalyst to
give people hope."
PLANTING THE SEEDS.
The first step in creating that environment of hope
was the formation of a Streetscape Committee of the
Wilshire Chamber of Commerce, and the pledge of seed
money to launch the project. The next was a feasibility
study developed by Russell and Associates with
the architectural and engineering firm of Daniel, Mann,
Johnson & Mendenhall, and Urban Innovations, a UCLA
planning/architectural consultant group.
They identified several sources of public funding for
such a project, among them the State of California's
Environmental Enhancement and Mitigation Program (EEMP),
a program established to provide funds to plant trees
to reduce carbon dioxide emissions, and the Federal
Intermodal Surface Transportation Efficiency Act (ISTEA).
With the support of L.A. City Councilman Nate Holden,
money (more than $400,000) was received from EEMP in
1994, and used to secure matching funds from other sources.
Eventually the Streetscape program would receive grants
totaling some $6 million ($1.412 million from ISTEA;
$2.08 million from the Metropolitan Transportation Authority;
$425,000 from the City; $200,000 from the L.A. Community
Redevelopment Agency; $1.4 million from the Federal
Economic Development Agency, and $125,700 from private
funds).
"Raising $6 million in five years from a $3000
start is clearly some sort of record," says Dick
McDermott, former president of the Wilshire Chamber
of Commerce. "It was certainly a measure of the
public and private commitment to the project."
"The crucial element for success was the unique
partnership that developed between the private and public
sectors," says Transwestern Property Company's
leasing manager Linda Hedden. "The City's Department
of Transportation, Department of Public Works and Cultural
Affairs gave us extraordinary support."
"The first grant was to buy 1500 trees,"
Gary Russell says, "but we had to find an inexpensive
way to plant and maintain them, and we also had to find
a way to involve the residential community. That was
critical," Gary adds. "We didn't want to be
an island of business people."
With support and expertise of the TreePeople, Gary,
his wife and business partner, Linda, and their colleagues
learned how to plant trees and train others to do so
as well.
"We became Citizen Foresters," he says happily
of the TreePeople's accomplishment award. Then followed
community training seminars and more than 20 Saturday
tree planting parties and independent planting efforts.
"We involved the Councilman's office, the police,
various block associations, apartment building managers,
local residents, TreePeople staff volunteers, and the
Korean Youth & Community Center" Linda Russell
says. "We'd have anywhere from 30 to over 200 people
at our community tree planting parties."
"It also turned out to be a great way for people
to meet their neighbors whom most didn't even know,"
Gary adds. "And, by the end of the day, there were
anywhere from 15 to 50 trees planted." The first
tree - a crepe myrtle - was planted in June,1994, near
the Astor Apartments at 8th and Mariposa; Gordon Tuthill,
president of Kemarco Management Company which runs the
building, remembers its impact well. "A lot of
apartment owners suddenly started to see the light,"
he says. "It wasn't long before you saw a lot of
newly painted buildings when you drove through the neighborhood.
The business community became more positive too. When
the first tree was planted there were lots of empty
storefronts, and now most of them have filled up."
Since that first tree was put in the ground, 2000 more
have been planted both on the Boulevard and on adjacent
streets. Fifteen flower and tree filled medians have
also been constructed along the Boulevard, dozens of
brick crosswalks have been installed, and 330 huge flowerpots
have been placed along the sidewalks. Soon, streetlights
will be upgraded and new, custom-designed bus shelters,
modular newsracks and trash receptacles will be installed.
A
NEW WILSHIRE CENTER. Crime began to drop dramatically
(in fact, by over 60%), and pride began returning. So
did commerce, attracted by the area's accessibility,
population density, and by more than 8 million square
feet of office and retail space available at some of
L.A.'s best values.
In 1994 the shuttered Bullocks Wilshire department
store was purchased by Southwestern University School
of Law for its library; integral to the acquisition
agreement was the commitment that the new owners would
honor the building's remarkable "Zig-zag"
Art-Deco design - inside and out. They had, by spending
more than $10 million, restored the building to its
original 1929 splendor.
The Roman Catholic Archdiocese of Los Angeles chose
to headquarter its huge operation in Wilshire Center
in 1996. A major supermarket-- the first in the area
in years-- also opened in 1996. A new, 24-hour fitness
center opened in 1997 and a huge new sports center,
complete with an enclosed driving range, is scheduled
to open in the Fall of 1999.
The Art-Deco I. Magnin building was also being transformed
into the Wilshire Galleria; shops, restaurants and even
a bowling alley under one roof. The Talmadge Apartment
building is again full with a waiting list. And, giving
the entire Wilshire Center area a dramatic nighttime
presence, dozens of vintage neon signs high atop many
buildings along the Boulevard have been restored to
colorful life under the guidance of Adolfo Nodal, general
manager of the L.A. Cultural Affairs Department and
an area resident
So what's next!
EXCITING DEVELOPMENTS. Because of the success
of Streetscape in bringing back an upbeat feeling within
the community, plans to transform the four-block Ambassador
Hotel property into a large retail, cinema and entertainment
center for the area, have taken on new life. Michael
Dunn, director of corporate services for the Charles
Dunn Company, the international real estate firm retained
to lease the planned project, already has commitments
for several hundred thousand square feet of rentals
if the plan goes ahead.
"A project of this magnitude will certainly add
to Streetscape's enhancement of the area and provide
the entertainment and service amenities supported by
business and the surrounding residential community,"
says Donna Dalton, property manager and first vice president
of the Wilshire Chamber of Commerce.
Russell adds: "Coming after the tremendous impact
of Streetscape, the project can provide the entire Wilshire
Center area with the same catalyst for growth as the
development of Rockefeller Center did for mid-Manhattan
in the 1930s."
PLANNING FOR TOMORROW. Currently, the Wilshire Center
community, the Community Redevelopment Agency and the
City Planning Department are also working to better
define that future growth via meetings with residents
and business leaders.
Councilman Nate Holden, a vigorous supporter of the
Streetscape project from its earliest days, says: "The
hope is that, by 2001,Wilshire Center will be-again-one
of the major centers for both business and residents
in Los Angeles, and it all started with Streetscape."
"Travel down the Boulevard today and you can see
the results of this effort," says Mayor Riordan.
"The local property and business owners who have
invested in their community have shown commitment to
their neighbors, the city and all Angelenos. Street
trees, box trees and date palms now line the street.
Green medians with tree shaded flower gardens dot the
landscape with refreshing patches of color. Benches,
kiosks, and shelters invite pedestrians to stop and
enjoy this new Wilshire Center, while new sidewalks
and street crossings invite all to explore the beauty
and the creativity," he says.
"Wilshire Center is a shining example of entrepreneurial
spirit and cultural strength that makes Los Angeles
great."
Written by David Wallace in the fall of 1998, an
internationally published freelance journalist specializing
in the arts and design.
SPECIAL THANKS TO THE FOLLOWING:
The Streetscape Private/Public Partnership
Wilshire Chamber of Commerce's Wilshire Center
Streetscape Committee:
- Andrew Miliotis, Chairperson
- Donna Dalton, Vice-Chairperson
- Linda Hedden
- Michael Prestridge
- Peggy Gibson
- Ralph Murphy
- David Bussert
- Marvin Weinstein
- Stephen Lawler
- Frank Tysen
- Ken Bernstein
- Steve Breuer
- Tresa Crisswell
- William Farris
- Kathryn Hansen-Russell
Project Team:
- Russell & Associates-Project Manager & Designer-Gary
Russell, Linda Russell
- DSK Associates-Landscape Project Designer-Samuel Kim
- HNTB Corporation
- Edward Henning and Associates
City of Los Angeles' Wilshire Streetscape Committee:
- James Okazaki (DOT), Chairperson
- Pauline Chan (DOT)
- SamiWassef (DOT)
- Sandra Herrera (DOT)
- Mike Stafford (BOE)
- Roger Ketterer (BOE)
- Jerry Ellison (BOE)
- Fred Brown (Contract Admin.)
- Cooke Sunoo (CRA)
- Deborah Murphy (Planning Dept.)
- Leroy Dunson (Street Maint.)
- George Eslingerr (Street Lighting)
- Stan Horowitz (Street Lighting)
- Robert Kennedy (Street Trees)
- Willie Bradford (Street Trees)
- Adolfo Nodal (Cultural Affairs)
- Haroot Avanesian (Cultural Affairs)
Contractor:
Valley Crest |